Since their establishment in 1976, the Friends of the Aigantighe have played a vital and lasting role in the development and success of the Aigantighe Art Gallery. Their legacy is evident throughout the gallery’s collection, physical spaces, and community engagement, reflecting decades of generosity, commitment, and civic pride.
Preserving the Collection
One of the most significant contributions of the Friends has been their support for the conservation of artworks in the permanent collection. Through dedicated fundraising and donor support, they have raised over $4,000 to professionally restore more than fifteen artworks. These include key pieces such as The Mother by Thomas Kennington and The Gymnast by Francis Shurrock. Many of the restored works on paper were affected by foxing, a type of mould which made them unsuitable for standard storage or public display. To relieve pressure on the gallery’s limited storage facilities and safeguard the wider collection, the Friends prioritised these restorations to bring the works to exhibition standard and reintegrate them safely into the gallery environment. The Friends continue to support this work, with eleven further artworks currently identified for conservation. Their efforts ensure that the collection remains in good condition for both present and future audiences.
Expanding Gallery Facilities
The Friends have contributed significantly to the development of the gallery’s physical infrastructure. They played a central role in fundraising for the 1978 extension, which provided much-needed exhibition and back-of-house space. They also supported the design and construction of the 1995 climate-controlled painting store, improving long-term care for the growing collection. These developments have strengthened the gallery’s ability to function as a public institution of regional and national importance.
Supporting Public Engagement
The Friends have consistently enhanced the gallery experience for the community. They have funded essential amenities, including a stereo sound system, audience seating, and the Yamaha grand piano still used today for concerts and events. They also commissioned the casting of The Gymnast sculpture to mark the opening of the new gallery wing in 1978. Their support has extended to educational events, exhibition openings, and public fundraising initiatives such as the popular garden parties held in the sculpture garden. These efforts have helped foster a strong relationship between the gallery and its community.
Volunteer Contribution
For twenty-four years, from 1995 to 2019, the Friends maintained a volunteer front desk programme at the gallery. Volunteers welcomed visitors, supported exhibition operations, and contributed to gallery security and retail services. Many individuals gave generously of their time, with some, such as Wendy Doig, volunteering on a weekly basis for more than a decade. This dedication created a welcoming environment and helped extend the gallery’s reach and accessibility.
A Legacy of Generosity and Vision
The Friends of the Aigantighe have built a legacy founded on stewardship, advocacy and public service. Their support has ensured the care and conservation of the art collection, enabled essential infrastructure, and enriched the gallery’s cultural life. Their contributions have shaped the Aigantighe into a gallery that is truly of its place. It is a gallery built and sustained by its community, for the benefit of generations to come.
Photos of an exhibition that celebrated the legacy of the Friends of Aigantighe's contribution to the perminant collection.